Classic Doctor Who - Season 4 - The Power Of The Daleks (1966) - Review
Starring: Patrick Troughton, Anneke Wills, Michael Craze & Robert James
Written By: David Whitaker
Directed By: Christopher Barry
1966
was a huge turning point for Doctor Who and saw many firsts
for the show. Not only did it see the first appearance of the
Cybermen, but it also marked the point where the show took arguably
its biggest risk – changing the lead actor. Owing to poor health
and multiple changes to the show, William Hartnell left the role of
the Doctor, handing the keys to the TARDIS over to Patrick Troughton.
The Power Of The Daleks, missing from the BBC archives,
but now restored in animated form, would decide whether or not the
show could survive such a massive change.
Ben, Polly and a newly-regenerated Doctor arrive on the planet Vulcan, home to an Earth colony. Posing as an Earth Examiner, the Doctor discovers that the scientists of the colony have discovered an inert space capsule. Inside are a group of inert Daleks, which despite the Doctor's warnings, the scientist Lesterson hopes to reactivate. When awoken, the Daleks give themselves as servants to the colony, but the Doctor knows they'll have their own agenda...
The
main thing that makes this particular story so significant in the
Doctor Who mythos, is that this is the first time we get to
see Patrick Troughton's Doctor and see just how different he is to
his predecessor. The concept of regeneration, or renewal as it was
known at the time, was probably the most understated yet important
additions to the show, as it essentially gave the BBC a sustainable
show – as proven by the fact that it's now been running for over
fifty years. Without the decision to give us an entirely different
Doctor, rather than just make somebody up to look like William
Hartnell, it's very unlikely we'd still be talking about the show
today. It helps that Patrick Troughton also makes an impressive debut
as the Doctor, even more so given that the writing sometimes ends up
letting him down (something I'll talk more about later). The
highlight of his performance takes place when he's confronted by the
Daleks for the first time. The Doctor is clearly terrified of their
presence, and is in fear of the moment that they turn against the
colonists, and knows just what they're capable of: “Yes, it will
end the colony's problems – because it will end the colony!”.
To
ease such a huge change in the series, the production team made the
very smart move of giving the audience plenty of familiar faces to
ease the transition. Not only do we have Ben and Polly as familiar
faces, we also have the return of the Daleks. Now given the huge
amount that David Whitaker's script had to do to ensure the survival
of the series, it can be understood and even forgiven if the Daleks
were left on the back-burner in this story. But admirably, it's the
exact opposite and the Daleks are very, very well-used here. Just
seeing the Daleks acting as servants to humans is unsettling, and for
its time, it was a strikingly original idea. I can imagine it would
have also made for a refreshing change to see the Daleks doing
something other than shouting “Exterminate” and unleashing
invasions all the time. While we spend the first four parts on the
edge of our seat, waiting to see when they'll reveal their true
nature, the last two parts provide a suitably big and dramatic
pay-off, with huge numbers of them (including a whole conveyor belt's
worth) going to battle with the humans.
The
time the Daleks spend acting as servants to our human characters also
allows for some interesting ideas about what the Daleks really are.
We like to think of Daleks as just pure evil in a tank … mostly
because they are, but it's interesting to see their reaction to a
civil war among the governors of the colony and the rebels. In one of the
best lines of the entire story, one of the Daleks even asks Bragen
“Why do humans kill humans?”. If you think about it, both
the colonists and the rebels have the same level of hatred towards
and bring about just as much death to each other as the Daleks do. To
some extent, you could even argue that both sides are as destructive
as the Daleks, and that's pretty deep stuff for a programme that, at
the time of broadcast, was still primarily aimed at children and
younger audiences.
Our
main cast and villains are helped by a fairly solid supporting cast,
but the definite standout among them is Lesterson. Originally, it
seems as though Lesterson was written and intended to be an
unlikeable character who would cause countless deaths by reactivating
the Daleks and going against the Doctor. However, when he starts
learning more about and starts to see the Daleks for what the really
are, particularly after they start screaming “We shall get our
power!”, he tries to put right the mistake he's made. He's the
one that convinced the colony that the Daleks were a force for good,
and seeing him try to tell them of his mistake, but being written off
as mad, is surprisingly tragic. Lesterson was never a malicious or
idiotic character, and though he was perhaps a little stubborn, he
never wanted to bring about death. All this makes seeing his ultimate
fate some really powerful stuff.
I
mentioned earlier that one of the things that can let The Power
Of The Daleks down is the writing style for the new Doctor.
It's true that the way the script treats him, particularly early on
feels … odd. Now obviously, this is the first post-regeneration
story and I understand that there's going to be differences between
this and what many of us are more used to, but this transition still
feels strange. I can't quite describe it, but it seems odd, even for
the new 2nd Doctor to just leave Ben and Polly guessing as
to what's happened to him, while he simply goes around playing the
recorder. However, none of this is the fault of Patrick Troughton,
and the problem does lessen and stabilize as the story goes on. My
only other issue with The Power Of The Daleks is more
of a production problem. Personally, I'm never entirely convinced
that this story is taking place at the heart of a thriving colony.
Characters make constant reference to the vast colony they rule, but
we never get to see any of it. Again, I understand that Doctor Who
had barely any budget to speak of, but something as simple as
seeing a backdrop of the colony, similar to how alien worlds have
been creating in the past, would have gone a long way in solving this
problem.
The
Power Of The Daleks was
one of many 60s TV serials wiped from the BBC Archives, and at the
time of writing, has yet to be found. However, in 2016, this story
experienced a resurgence in popularity, with animated replacements
breathing new life into such an important classic. The animation team
brought The Power Of The Daleks to
a much wider audience, including myself, and without the animated
release, I doubt I'd be writing this review. In the first two
episodes, it's clear that when very little is happening on the
surviving audio track, the animators aren't sure what to do, given
that characters frequently remain static and do nothing for several
moments. But again, this problem lessens and becomes less noticeable
as time goes on. The animation on the Daleks themselves particularly
stands out and looks brilliantly detailed, and while I doubt the
animation is going to exactly win any awards, I'm incredibly thankful
for the hard work of the animating team, as they successfully
recapture the feel of the original story, and as I've already said,
they've made the story much more accessible.
In
conclusion, The Power Of The Daleks lives up to the
immense amount it had to get done, whilst proving that the show had a
ton of life and untold stories left in it yet. The fact that The
Power Of The Daleks ended up being one of the strongest
stories of 60s Doctor Who is testament to everyone involved in
its production, as so much could so easily have gone wrong. With the
promise of a great new Doctor, an incredibly unique and interesting
use of the Daleks, as well as some mature themes and ideas, we have a
lot to thank this story for...
The Power Of The Daleks
8/10
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