A United Kingdom (2016) - Film Review

Starring: David Oyelowo, Rosamund Pike, Terry Pheto & Vusi Kunene
Screenplay: Guy Hibbert
Directed By: Amma Asante
Certificate: 12
 
Since I saw the trailers for A United Kingdom, I've been caught between looking forward to, but also being somewhat apprehensive about watching it. The best possible scenario was that we were in for a film that puts a wonderful true story of romance on the big screen, brings two amazing acting talents together and treats us to a slice of both British and African history. On the other hand, we could have found ourselves with an overly-sentimental and cheesy film, and while nine times out of ten, I have no problem with anyone or anything being cheesy or overly-sentimental (myself included), it simply wasn't going to work here. So, which did we eventually end up with?
 
A United Kingdom tells the real-life story of Seretse Khama, a law student in London at the end of WWII, and heir to the throne of Bechuanaland (modern-day Botswana). While in London, he meets and falls in love with Ruth Williams, an office worker, and the two eventually marry. However, when Seretse receives a letter from his uncle, telling him it is time for him to inherit the throne, his marriage to Ruth faces fierce opposition from both of their families, as well as the British and South African governments. Together, Seretse and Ruth must resist numerous attempts to split them up, and prove that love can triumph.
 
There should be no attempt to disguise the fact that A United Kingdom has plenty to say regarding matters such as gender, race and even political corruption. I could make a big point about all the social/political commentary that's here, and how it's all still entirely relevant today, but if you read any of my other reviews, my views towards many of the issues A United Kingdom presents should be clear (but needless to say, the film handles it all very well). However, one thing I will say is that the film is very fair and balanced in portraying many different prejudices. It's all too easy to attribute blame to a certain group of people when it comes to things such as racism or xenophobia, but this film takes the smarter and more realistic route and reminds us that it's often much more complicated than that. For example, Seretse and Ruth don't just face resistance and attempts to split them up from the British Government, they initially face the same from Seretse's family in Bechuanaland. The message we can take from this? We ALL have to make an effort if we're to end conflict, not just certain groups.
 
However, I don't want to leave you with the impression that this is a film solely about social prejudice and discrimination, because that's not really the main thing that was left stuck in my head after watching. A United Kingdom is after all a romance film, and at its heart, it's wonderfully romantic with two endearing, impressive leads. Romance is one of the trickier things to get right in film, and it's an area where so many fall short, but A United Kingdom really shows us how it's done. David Oyelowo and Rosamund Pike have recently left strong impressions in Selma and Gone Girl respectively, so it's great to see these two brilliant acting talents brought together here. The two are clearly dedicated to their roles, they share amazing chemistry and their characters are, out of the films I've seen so far this year, by far the best romantic pairing I've seen.
 
Something I really admire about A United Kingdom is the way it brings an inspiring true story to a much wider audience. Similarly to films like Pride, it tells a story that feels as though it should be common knowledge, but very few knew the story of Ruth and Seretse Khama until this film was released, and I always love it when I learn of new real-life stories through film. This story of a love that shook an empire is also clearly made with great affection and care from everyone involved. Everyone here is thoroughly committed, especially David Oyelowo, who off-screen has spoken in interviews about his love of the story and his desire to treat it with respect.
 
Director Amma Asante is another who's clearly committed to the project, as she brings some fantastic visual flair to the film. I loved the combination of British and African imagery and settings, and both look beautiful. Once again, the UK film industry proves that it can really bring history to life, as London looks stunning and provides an immersive trip back to the past. Everything from the city streets to the interior set design looks incredibly authentic and alive, with the standouts for detail probably being the dance hall where Seretse and Ruth first meet, as well as Ruth's home. What really sets A United Kingdom apart from its contemporaries is its grand location shooting in Africa, and it's here where the film's use of bright colour really pops. The breathtaking sandy landscapes are brought to life by plenty of impressive direction and sweeping shots of the open villages and roaming wildlife. Thanks to an increased amount of filming space when compared to the scenes in London, it's in Bechuanaland where the direction is undoubtedly at its strongest.
 
While I do honestly love this film, there is just one thing that feels sadly absent. As I said earlier, the romance between Seretse and Ruth is probably the strongest aspect of the film, but with that being said, the two characters meeting and falling in love did feel pretty quick and glossed over. I understand writer Guy Hibbert's desire to focus on the meatier story of the two characters' resisting attempts to break them up, but it still feels as though A United Kingdom could have perhaps benefited from an extra ten minutes or so exploring how the two fell in love. Seeing the origins of Seretse and Ruth's relationship is still miles better than many other filmmakers would have managed, but it still feels like the opening fifteen minutes could have done with an extra polish.
 
In the wrong hands, A United Kingdom could easily have gone wrong and left us with overly-saccharin slop, but while there may be a few clichés here and there, it's an irresistible film. With a talented, dedicated cast, plenty of relevant social commentary and stunning production design, this is one of my favourite films this year, and certainly the best romance film so far. It's therefore a real shame that so many people missed out when it was in cinemas, and the film even failed to make back its production budget at the box office. Honestly, it's worth finding and watching this on home media, and I very much doubt you'll be disappointed...


A United Kingdom
 
9/10