Doctor Who Series 6 Episode 5 - The Rebel Flesh (Part 1) - Review

Starring: Matt Smith, Karen Gillan, Arthur Darvill & Sarah Smart
Written By: Matthew Graham
Directed By: Julian Simpson
 
Most Doctor Who viewers that go into episodes already knowing who's written them, will have had reason to be worried by The Rebel Flesh and The Almost People, penned by Matthew Graham. His only previous writing credit for Doctor Who was 2006's Fear Her – an episode widely regarded as the worst entry to the revived series (although Love & Monsters takes that prize if you ask me). I've personally always found Fear Her to qualify as more or less decent – not terrible but certainly nothing extraordinary either. Nonetheless, I am intrigued to see whether Matthew Graham can improve, and what he can achieve with a two-part story.
 
The TARDIS is caught up in a solar storm, bringing the Doctor, Amy and Rory to a remote island on 22nd Century Earth. On the island is a monastery that has been converted into an acid pumping factory. To prevent injury or death in the dangerous conditions, the factory's workers utilize a programmable matter called the “Flesh” to create doppelgängers controlled by each worker. However, when the solar storm hits the island, the Gangers become independent, and it's up to the Doctor, Amy and Rory to prevent an outbreak of war.
 
The Rebel Flesh does get off to a shaky start as a result of some mixed production values, CGI and effects work. While I appreciate that things like CGI and practical effects shouldn't compromise a great story, when the results are this mixed (which itself is a rarity in modern Doctor Who), it can become hard not to notice it. Sometimes there is some genuinely great production work to be found in The Rebel Flesh, such as the solar tsunami that sends the TARDIS off course and later hits the island. The prosthetic make-up used on the Gangers also looks very creepy. It ended up reminding me somewhat of Voldemort from the Harry Potter films, particularly the lack of a nose and the discolourment around the eyes and mouth. However, when we look at scenes such as when the Jennifer Ganger struggles to control her humanoid form in the bathroom, then the less impressive production values start to show up. The long stretching of her neck, as well as the super-stretch of one of her arms as she punches Rory does look a bit … silly. It was probably intended to be creepy or scary, but it just doesn't end up that way. The direction from Julian Simpson isn't some of the sharpest the show has to offer either, and this becomes particularly noticeable when it comes to delivering some actual scares.
 
But as so much of Classic Doctor Who has proved, low production values aren't too much of a problem if the script works, so does the writing for The Rebel Flesh work? Well … not really. The Rebel Flesh may only be the first half of a two-part story, but in the forty-five minutes that it has, it doesn't make all that much progress. Just look at the workers of the acid factory – barely any of them are developed beyond the basics. Characters like Jimmy and Buzzer are nothing but red-shirts beyond maybe one or two identifying characteristics. I also noticed another character here who's literally so undeveloped that I don't think they get a single line of dialogue, and they just seem to be lingering around in the background in most scenes. Looking it up online, I've found out that the character's called Dicken, and played by Leon Vickers, but if I'm supposed to care about them and are having to look up that information, something's not right. The two characters that have the most attempted development are Jennifer and Miranda, but each one is still flawed in their own way. Jennifer is designed to be sympathetic and Sarah Smart does the best she can with the role, but some of the dialogue she's given feels very stilted and unnatural. On the other hand, Miranda fares even worse, coming across as very cold and stuck-up, but with no motivation or reason to be. It does feel as though she's just a horrible character purely to advance the plot.
 
I will give credit where it's due though, and while quite a lot of The Rebel Flesh doesn't work, it has at least got a solid premise at its heart, and a decent setting to explore it in. The idea of human workers duplicating themselves and controlling their own disposable doppelgängers, to prevent harm to themselves, is quite a neat bit of sci-fi, and doesn't feel too far out or fantastical. It's an idea that I could genuinely see becoming a possibility in the future. The setting also works quite well too, and the facility being installed in an old abandoned monastery is an interesting change from some futuristic, gritty space-station that we may have come to expect.
 
However, while this premise could work and provide an entertaining two-parter, it suffers as I've said, from characters or production values that simply don't work to their best ability. It doesn't help that Matthew Graham's script can frequently let it down too, especially when he tries to include a moral dilemma which he just doesn't to be able to handle. First of all, posing the question of whether humans and Gangers can co-exist does feel like it's ripping off last year's The Hungry Earth and Cold Blood. While I know the moral dilemma in that two-parter was itself borrowed from Doctor Who & The Silurians, for The Rebel Flesh to try it again so soon after it had last been done, just makes it feel like a rip-off. The moral ambiguity is also far less effective here too, primarily because the time it takes for the Gangers to go from finding a peaceful compromise to starting an all-out war is just too short. Caused by an unprovoked and out-of-place physical attack from Miranda, there's also very little moral ambiguity to be found in the dialogue. Once the Gangers flee and regroup, one of the first lines of dialogue we hear from them is “We have the advantage now. We have the acid suits. We can move freely, strike at will”. This single line just makes it obvious who the bad guys are supposed to be, and shoots down any hope of the audience having to make a moral choice.

So was there anything else from The Rebel Flesh that actually worked? Well some smaller details and little moments fare slightly better, such as the use of the Doctor, Amy and Rory. The Doctor doesn't get a huge amount of focus in this episode, but Matt Smith still does a great job with the material he's given, and judging from this week's cliffhanger, it looks like he'll have a lot more to work with next week. Amy meanwhile is pretty much sidelined in this episode and has very little to do, although in this particular instance, I don't mind that as it allows Rory to step up to the plate. As ever, Rory continues to be a really great character, and the time he gets to spend with Jennifer over the course of this episode is time well spent. It is nice to seem him take the initiative and try to help someone he doesn't even know all that well. (Skip ahead now to the next paragraph to avoid spoilers!) This week's cliffhanger also closes the episode on a high, with the reveal of the Ganger Doctor. Admittedly it was a little bit easy to guess, seeing as it kept saying “Trust me,” throughout the episode, and nearly every bit of Doctor Who merchandise as of late has been branded with “Trust me, I'm the Doctor.” However, it's still fairly eerie to see Matt Smith in the Ganger makeup and I am interested to see where next week's episode will go with this reveal.
 
In conclusion, I can't really deny that The Rebel Flesh is a weak start to this two-parter. The saving grace is that it definitely has room to improve with next week's The Almost People. As it stands right now though, the characters are severely underdeveloped, the moral dilemma this episode is trying so hard to run with is flawed and unoriginal, and both are being let down by some shaky production values. Nonetheless, I'll still await next week's episode with my fingers crossed and hopeful that it can make some much-needed improvements.

The Rebel Flesh
 
4/10
  
So far...