Doctor Foster Series 1 (2015) - Review
Starring: Suranne Jones, Bertie Carvel, Clare-Hope Ashitey & Jodie Corner
Written By: Mike Bartlett
Directed By: Tom Vaughan & Bruce Goodison
Certificate: 15
If
you're a fan of prime-time TV dramas in the UK, then you'll definitely be aware
of all the recognition that has greeted the BBC drama, Doctor
Foster.
With between seven and ten million viewers tuning in for each
individual episode, Doctor Foster
has become one of the most-watched new dramas of 2015. From the
public, the show has received critical acclaim, winning
the award for Best New Drama, and Suranne Jones winning the award for
Best Serial Drama Performance, at the 2016 National Television
Awards. So, is the show worthy of all the attention and acclaim it
has received or is it somewhat overrated?
Doctor
Foster focuses
on the life and marriage of Dr. Gemma Foster, a widely respected family
doctor, happily married and living with her husband, Simon,
and their son Tom. However, Gemma's happy marriage slowly starts to
be poisoned when she find clues that lead her to suspect her husband
is having an affair. Desperate to know the truth, Gemma goes to a
number of lengths to discover the truth about her husband. As a
premise for a drama series, this is a solid, if somewhat unoriginal
one.
One of the best things about the first episode is that we get to
see the gradual transition between a happily married Gemma, and a
broken-down and struggling to cope Gemma. Right at the start, we see Gemma's home life, relationships with her
husband and young son and more, but once she discovers clues that point
towards Simon's affair, such as lip balm and blonde hairs on his
scarf, we start to see a physically upset Gemma as the idea of Simon
cheating on her becomes more and more likely. This transition is
aided by a brilliant combination of direction and music. The
direction effectively emphasizes all the clues that point towards
Simon's affair, and the soundtrack, while most of the time subtle,
manages to escalate at moments of great tension. One unfortunate
shame is that we don't have more time to see Gemma's marriage before
it starts to get poisoned. If we had had time to see Gemma and Simon happily married for around the first twenty minutes, it probably could have made me feel even more
sympathy for her when her relationship starts to fall apart.
Throughout
the series, one of the constant highlights is Suranne Jones'
performance as Gemma. Suranne Jones' spectacular performance helps to really show how the character is both strong, but also
vulnerable. If nothing else, Jones' performance was certainly deserving of the
National Television Award. Sadly, the actual character that Jones is playing isn't as much of a success. Personally, I found it
hard to engage with her character as she frequently jumps from being
sympathetic to being downright cruel. One of the most notable
features of her character is her work as a doctor. Many times during
the course of the series, we get to see this side of Gemma in full
force, as she sees and treats several patients. However, towards the end of the series, the more grieving
side of Gemma even decides to make the grief she is feeling into a
competition with fellow doctor Jack Reynolds. Jack is both out of
work, and had lost his partner, so when Gemma says to him “It's
worse for me.”,
this makes her come across as incredibly nasty. Several characters
even tell Gemma that she is “arrogant” and that it's a “relief”
when she leaves the room. Is it bad that I kind of agree with them?
While this isn't true all the time, it certainly becomes a bigger
problem as the series progresses. However, I will say that I'm glad Mike Bartlett made sure that Gemma wasn't an entirely perfect character, and
give the series a “Perfect woman vs. Evil man” approach. There are
several times when Gemma is shown to have her faults, such as when
she also cheats on Simon by having sex with Neil. Not only does this
help Gemma feel like more of a real person, but it makes for a much
more interesting dynamic between her and Simon.
One
quite significant problem with Doctor
Foster is
its portrayal of the central family. I mentioned earlier that we
don't quite spend enough time focusing on Gemma's marriage and family
before she learns of Simon's affair. To be honest though, the bits
that we do see don't feel like anything special. There is a distinct
lack of any unique personalities in both Gemma's family, as well as
her friends. What do we really know about Simon other than the fact
he's having an affair, and is involved in a dodgy building contract?
What do we know about Tom other than the fact he's a football fan?
This problem is the same for the Parks family and characters such as
Anna and Neil – they have little to no personalities, and just feel bland.
Some
of the messages and morals that Doctor
Foster tries
to tell its audience, feel like a mixed bag as well. Some messages
concerning marriage work very well, as Doctor
Foster does
a wonderful job at showing just how damaging secrets and mistrust can
be. One of the best and most thought-provoking bits of
dialogue from the series comes from Gemma:
"There's two things. There's the mistake and then there's the lie to cover it up. And the mistake is a lot easier to forgive."
However, for great messages and lines of dialogue like this, there are other lines and attitudes that don't site well with me:
"It's been proven statistically, men all fancy 22 year-old women."
"All boys are their fathers."
Not
only do I strongly disagree with these kind of messages, I'd go as far as to say that they are downright offensive. As a
feminist, I can honestly say that I believe placing stereotypes like this on
either gender is just wrong and should never happen. In a context as
serious as this, making gender-wide stereotypes such as the ones
above is incredibly damaging as lines like this can offend
and/or isolate viewers.
As
you've probably gathered, Doctor
Foster
is far from perfect and it does have several aspects that feel
undercooked or out-of-context. However, many of these negative points
get, to some extent, forgiven for everything that goes so well in Episode 5.
In the final episode, all the unspoken truths come out in a
nail-bitingly tense opening scene around the Parks' dinner table.
Performances from every single actor around that dinner table are
on form, with special mention definitely going to Suranne Jones. As
Gemma finally gets her revenge, you really get a feeling of closure that justice is finally
being done. Not to mention, Gemma feels like a complete force of
nature, and somebody that you really wouldn't want to get on the
wrong side of at that moment. This great opening scene opens the
gates for even more wonderful moments throughout the final episode –
where we finally get to see Gemma set things right, and in a very
satisfying way.
So
after all that, does Doctor
Foster really
deserve the widespread acclaim it has received? Not quite. I've probably been harsher than usual here, but I'll openly admit
that it is a great, solid series, but its not really the best of 2015
in my opinion. While there are some spectacular performances here,
particularly from Suranne Jones, and the series is often the
nail-bitingly tense psychological drama you'd expect it to be, it has
a fair number of faults as well. The lack of any distinctive
characters, as well as some downright offensive stereotyping
stop it from matching the quality of other great 2015 TV dramas such
as Code
of a Killer,
An
Inspector Calls and
Prey.
Shortly after this series concluded, the BBC announced that they had
re-commissioned Doctor
Foster
for a second series. While this was undoubtedly done because of very
strong viewing figures, I have my doubts if it'll be able to reach
the quality of this series, as Gemma's story seems complete now. But that's for another time, and as
it stands now, Doctor
Foster is
a good solid drama series that becomes devastating to watch as you see a happy marriage fatally poisoned.
Doctor Foster
7/10
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